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Description
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Inventory No.
Framed Image Availability |
| IMPIGLIA, Giancario (b. 1940) | ||
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A Toast, 1981, Serigraph on paper; Signed and dated Giancarlo Impiglia 1981 in pencil, lower right and titled “A Toast” in pencil, lower center and numbered AP40/40 in pencil, lower left [Number/Signature] ; Unframed; Image size 31 5/16” x 23 1/2”; Sheet size 39 1/16” x 29 1/4”; $500; Layaway for only $50/month! |
10365 |
| INDIANA, Robert (b. 1928) | ||
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The American Art, 1973; Serigraph on Arches rag paper; Signed R Indiana in pencil, lower right and numbered 3/50 in pencil, lower left and printed © ROBERT INDIANA 1973 in the plate, lower right; Framed using a linen mat, a black wood exterior shadowbox frame and conservation clear UV protective glass; Image size 27 3/4” x 27 3/4”; Sheet size 34 15/16” x 34 15/16”; Frame size 40 3/16" x 39 3/4"; $5,250; Layaway for only $525/month! | 8667 |
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In Apaean (LOVE), Serigraph and embossing on A.N.W. Crestwood Museum Edition paper; 1997; Signed R I in pencil, lower right and numbered 195/200 in pencil, lower left; Framed using an acid-free mat, a linen mat liner, a silver wood exterior frame and conservation clear UV protective glass; Image size 21 1/4" x 14 11/16"; Sheet size 24” x 20”; Frame size 30 9/16" x 26 9/16"; $1,050; Layaway for only $105/month! | 8752 |
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LOVE: Enflame (LOVE), Serigraph and embossing on A.N.W. Crestwood Museum Edition paper; 1997; Signed R I in pencil, lower right and numbered 195/200 in pencil, lower left; Framed using a linen mat liner, a gold and black wood frame and conservation clear UV protective glass; Image size 20 1/2" x 8 7/8"; Sheet size 23 15/16” x 19 15/16”; Frame size 28 7/16" x 24 3/16"; $1,025; Layaway for only $102.50/month! | 8753 |
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TO DRAW A STRAIGHT LIINE (LOVE); 1997; Serigraph and embossing on A.N.W. Crestwood Museum Edition paper; Signed R I in pencil, lower right and numbered 195/200 in pencil, lower left; Framed using a linen mat liner, a black wood exterior frame, and conservation clear UV protective glass; Image size 21 3/16" x 11 11/16"; Sheet size 24” x 20”; Frame size 28 11/16" x 24 13/16"; $1,250; Layaway for only $125/month! | 8755 |
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FROM THE UMBRAGE OF A MASTER POET (LOVE), Serigraph and embossing on A.N.W. Crestwood Museum Edition paper; 1997; Signed R I in pencil, lower right and numbered 195/200 in pencil, lower left; Framed using an acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 21 3/8" x 17 5/16"; Sheet size 24” x 20”; Frame size 33 3/16" x 28 3/16"; $1,025; Layaway for only $102.50/month! | 8756 |
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THIRST (LOVE), Serigraph and embossing on A.N.W. Crestwood Museum Edition paper; 1997; Signed R I in pencil, lower right and numbered 195/200 in pencil, lower left; Framed using two acid-free mats, a silver Nielsen metal exterior frame and conservation clear UV protective glass; Image size 20" x 10 3/16"; Sheet size 24” x 20”; Frame size 35 15/16" x 29 11/16"; $1,025; Layaway for only $102.50/month! | 8758 |
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THE WORD (LOVE), Serigraph and embossing on A.N.W. Crestwood Museum Edition paper; 1997; Signed R I in pencil, lower right and numbered 195/200 in pencil, lower left; Framed using an inset black wood interior fillet frame, a suede mat, an acid-free mat, a natural wood exterior frame and conservation clear UV protective glass; Image size 17 5/8" x 17 9/16"; Sheet size 24” x 20”; Frame size 33 1/8" x 24 15/16"; $1,400; Layaway for only $140/month! | 8759 |
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PELVIC AND BRIGHT (LOVE), Serigraph and embossing on A.N.W. Crestwood Museum Edition paper; 1997; Signed R I in pencil, lower right and numbered 195/200 in pencil, lower left; Framed using two acid-free mats, a silver wood exterior frame, and conservation clear UV protective glass; Image size 21" x 12 1/2"; Sheet size 24” x 20”; Frame size 33 1/16" x 28 1/16"; $1,100; Layaway for only $110/month! | 8761 |
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WHEREFORE THE PUNCTUATION OF THE HEART (LOVE), Serigraph and embossing on A.N.W. Crestwood Museum Edition paper; 1997; Indiana #8762 Signed R I in pencil, lower right and numbered 195/200 in pencil, lower left; Both framed using an acid-free mat, a suede mat, a silver Nielsen metal exterior frame, a black metal exterior frame, and conservation clear UV protective glass; Image size of #8762 21 3/8" x 8 1/4"; Image size of #8763 21 5/8" x 8 5/16"; Sheet sizes of both 24” x 20”; Frame size of both 32 3/4" x 28 1/4"; $2,775; Layaway for only $277.50/month! | 8762/8763 |
| JACOBSON, Bill (b. 1955) | ||
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Thought Series (#311-4), 1995; Gelatin Silver print on paper; Signed Bill Jacobson in pencil lower left, verso and titled Thought Series (#311-4) in pencil, lower center, verso and dated and numbered 1995 6/25 in pencil, lower right, verso; Framed using an 8-ply acid-free mat, a black wood exterior frame and plexiglass; Image 9 13/16” x 8”; Sheet 14” x 11”; Frame 16 3/4” x 15 1/8”; $1,500; Layaway for only $150/month! | 9583 |
| JANZEN, Loren G. (1938 - 2006) | ||
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Monoprint #34, Monoprint on Arches paper; Signed Loren G Janzen in pencil, lower right and titled Monoprint in pencil, lower center and numbered #34 in pencil, lower left; Unframed; Image size 30” x 22 1/4”; Sheet size 30” x 22 1/4”; $400; Layaway for only $40/month! |
11432 |
| JENKINS, Paul (b. 1923) | ||
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Phenomena Chinese Passage, 1985; Oil on canvas; Signed, titled, dated and inscribed Paul Jenkins Phenomena Chinese Passage New York 1985 in black on a gray painted rectangle, upper center, verso PROVENANCE: Property from the Estate of Liza Hyde, New York, NY ; Framed using a black wood exterior frame and a natural wood exterior frame; Image size 73” x 12”; Sheet size 73” x 12”; Frame size 74 1/8” x 13 1/8”; $ POR - Layaway Available |
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Untitled, Watercolor on paper; Signed Paul Jenkins in black, lower left, lower left; Framed using a linen mat float, a linen mat, a black wood exterior frame and conservation clear UV protective glass; Image size 14 7/8” x 11”; Sheet size 14 7/8” x 11”; Frame size 25 5/8” x 21 3/16”; $ POR - Layaway Available | 10306 |
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Untitled from Seeing Voice Welsh Heart , 1965; Lithograph on paper; Signed Paul Jenkins in pencil, lower left and numbered H.C.7 in pencil, lower left; Framed using a linen mat, a gold wood exterior frame and conservation clear UV protective glass; Image size 14 11/16” x 10”; Sheet size 14 11/16” x 10”; Frame size 22 9/16” x 17 1/2”; $1,450; Layaway for only $145/month! |
9609
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| JOHNS, Jasper (b. 1930) | ||
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Cup Two Picasso, 1973, Lithograph on paper; Signed and dated J Johns ‘73 in the plate, lower right; Framed using an inset silver wood interior fillet frame, a linen mat, a gold, silver and black wood exterior frame and conservation clear UV protective glass; Image 11 7/16” x 10 1/4”; Sheet 14 7/8” x 10 9/16”; Frame 20 1/2” x 19 7/16”; $1,650; Layaway for only $165/month! |
10430 |
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Cup Two Picasso, 1973, Lithograph on paper; Signed and dated J Johns ‘73 in the plate, lower right; Framed using a linen mat, a silver metal over wood exterior frame and conservation clear UV protective glass; Image size 11 7/16” x 10 1/4”; Sheet size 15 5/16” x 10 7/16”; Frame size 20 5/16” x 15 1/16”; $1,650; Layaway for only $165/month! |
10431 |
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Summer, State II, 1985-1991; Lithograph on white Schoellers Parole paper; Framed using a linen mat, an inset silver wood interior fillet frame, a silver and black wood exterior frame, and conservation clear UV protective glass; Sheet size 11” x 8 1/4”; Frame size 23 1/8” x 20 3/4”; $4,200; Layaway for only $420/month! |
10810 |
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Summer (Blue), 1985-1991; Lithograph on J. Whatman mould made paper; Signed and dated J Johns ’85-’91 in pencil, lower right and numbered 211/225 in pencil, lower left; Framed using an inset gold wood interior fillet frame, a linen mat, a gold wood exterior frame and conservation clear UV protective glass; Image 9 11/16” x 6 5/16”; Sheet 16 1/4” x 11 1/8”; Frame 22 1/16” x 18 1/2”; $8,000; Layaway for only $800/month! | 9958 |
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Untitled, Serigraph on Patapar printing parchment paper; 1977; Signed Jasper Johns in ink, lower right; Framed using a linen mat, a black wood frame and conservation clear UV protective glass; Image size 9 1/2" x 9 1/4"; Sheet size 9 13/16” x 10 1/8”; Frame size 12 1/2" x 12 3/4"; $31,000; Layaway for only $3,100/month! | 5426 |
| JONSON, Jim | ||
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Untitled, Lithograph on paper; Signed Jim Jonson in pencil, lower right and numbered 89/300 in pencil, lower left [Number/Signature] ; Unframed; Image size 20” x 30”; Sheet size 24 3/4” x 33 15/16”; $300; Layaway for only $30/month! |
10346
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| KAHN, Wolf (b. 1927) | ||
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Barn And Forsythia III, 2003, Serigraph on paper; Signed and dated W Kahn ‘03 in pencil, lower right and numbered AP 14/18 in pencil, lower left; Framed using an acid-free mat, a linen mat, a brown and black Roma wood exterior frame and conservation clear UV protective glass; Image size 27 5/8” x 38 5/16”; Sheet size 34 1/2” x 44 3/8”; Frame size 48 15/16” x 58 3/8”; $6,750; Layaway for only $675/month! |
11690 |
| KATZ, Alex (b. 1927) | ||
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Night: William Dumas Dance I, 1983, Lithograph on Arches Cover paper; Signed and numbered 58/100 Alex Katz in pencil, lower left; Framed using a linen mat liner, a solid brass exterior frame and conservation clear UV protective glass; Image size 23 1/2” x 29 1/8”; Sheet size 25” x 31 1/4”; Frame size 28 1/4” x 34 11/16”; $2,350; Layaway for only $235/month! |
8685 |
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Night: William Dumas Dance II, 1983, Lithograph on Arches Cover paper; Signed and numbered 58/100 Alex Katz in pencil, lower right; Framed using a linen mat liner, a solid brass exterior frame and conservation clear UV protective glass; Image size 25” x 15 1/4”; Sheet size 25” x 31 1/4”; Frame size 28 1/4” x 34 11/16”; $2,350; Layaway for only $235/month! |
8686 |
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Night: William Dumas Dance III, 1983, Lithograph on Arches Cover paper; Signed and numbered Alex Katz 58/100 in pencil, lower left and stamped © DR. ALAN G. BEARDALL. 1981 in black, lower right, verso; Framed using a linen mat liner, a solid brass exterior frame and conservation clear UV protective glass; Image size 25” x 17 1/4”; Sheet size 25” x 31 1/4”; Frame size 28 1/4” x 34 11/16”; $3,500; Layaway for only $350/month! |
8687 |
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Night: William Dumas Dance IV, 1983, Lithograph on Arches Cover paper; Signed and numbered Alex Katz 58/125 in pencil, lower left; Framed using a linen mat liner, a solid brass exterior frame and conservation clear UV protective glass; Image size 25” x 30 1/4”; Sheet size 25” x 31 1/4”; Frame size 28 1/4” x 34 11/16”; $6,800; Layaway for only $680/month! |
8688 |
| KAUFMAN, Steve (1960 - 2110) | ||
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Superman, 1995, Oil on canvas; Signed, numbered and inscribed SAK StanLee TM”©’95 DC COMICS in black ink, upside down, upper right, verso; Unframed; Scale of image; Image size 60 1/4” x 60 1/4”; Sheet size 60 1/4” x 60 1/4”; $POR; Layaway is available! |
12110 |
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Batman Welcome to Gotham City, 2001, Oil and silkscreen ink on canvas; Signed and numbered SAK 12/50AP in black ink, lower left, verso; Unframed; Image size 36 5/8” x 33”; Sheet size 36 5/8” x 33”; $POR; Layaway is available! |
12111 |
| KELLY, Ellsworth (b. 1923) | ||
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Untitled, Lithograph on Rives wove paper; 1964; From the edition numbered 73/150; Framed using an acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 11 1/8" x 10 1/4"; Sheet size 14 7/8” x 11”; Frame size 23 3/16" x 19"; $825; Layaway for only $82.50/month! |
10024 |
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Untitled, Lithograph on Rives wove paper; 1964; From the edition numbered 73/150; Framed using an acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 13 9/16" x 10 3/16"; Sheet size 14 7/8” x 10 15/16”; Frame size 23 3/16" x 18 15/16"; $825; Layaway for only $82.50/month! |
10028 |
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Blue/Yellow/Red (Untitled), Serigraph on Strathmore Fairfield Opaque Number 8 paper; 1970-73; Signed Kelly in pencil, lower right and numbered 53/100 in pencil, lower right of center; Framed using an acid-free mat, a silver wood exterior frame and conservation clear UV protective glass; Image size 18" x 17 1/2"; Sheet size 26 1/16” x 25 1/2”; Frame size 29 1/16" x 27 5/16"; $9,000; Layaway for only $900/month! |
10472 |
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Yellow/Black, Lithograph on Special Arjomari paper; 1970; Signed Kelly in pencil, lower right and numbered 18/75 in pencil, lower left; Framed using a silver metal exterior frame and plexiglass; Image size 29 3/8" x 22 5/8"; Sheet size 41 3/8” x 36”; Frame size 41 5/8" x 36 1/4"; $12,050; Layaway for only $1,205/month! |
9849 |
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Untitled, Lithograph on Rives BFK paper; 1972; Signed Kelly in pencil, lower right and numbered 79/125 in pencil, lower left; Framed using a black wood exterior frame and conservation clear UV protective glass; Image size 21 5/8" x 14 1/8"; Sheet size 34 3/8” x 26 13/16”; Frame size 37 1/8" x 29 3/8"; $13,000; Layaway for only $1,300/month! |
9736 |
| KRASNER, Lee (1908 - 1984) | ||
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Untitled, 1970; Lithograph on Arches paper; Signed Lee Krasner in pencil, lower right and numbered 104/175 in pencil, lower left; Framed using an acid free mat float, an acid free mat, a natural wood exterior frame and plexiglass; Image size 20 7/8” x 25 15/16”; Sheet size 20 7/8” x 25 15/16”; Frame size 28 1/8” x 33 3/16”; $POR |
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| LEDGERWOOD, Judy (b. 1959) | ||
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Untitled, 2002; Pearlescent paint on paper; Framed using an acid-free mat float, a natural wood frame and regular glass; Image 3 3/4” x 3 5/8”; Sheet 12” x 8 3/4”; Frame 14 7/8” x 11 5/8”; $1,800; Layaway for only $180/month! | 9574 |
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Untitled, 2002; Pearlescent paint on paper; Framed using an acid-free mat float, a natural wood frame and regular glass; Image 11 3/8” x 7”; Sheet 12” x 8 3/4”; Frame 14 7/8” x 11 5/8”; $1,800; Layaway for only $180/month! | 9575 |
| LEE, Robert J. (1921 - 1994) | ||
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Untitled (Owl), Encaustic on canvas; Signed Robert J. Lee in encaustic, upper left; Framed using a gold wood frame; Image size 21 1/2” x 11 3/4”; Frame size 23 3/8” x 13 5/8”; $1,500; Layaway for only $150/month! |
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| LIBERMAN, Alexander (1912-1999) | ||
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Gate XXI, Acrylic and collage on canvas; Signed and dated Alexander Liberman 82 in oil, lower rightand signed and dated ALiberman 82 in charcoal, upper left, verso and inscribed [Up Arrow] 36 X 36 in charcoal, upper right, verso PROVENANCE: Andre Emmerich Gallery, New York NY ; Framed using a black wood exterior frame and a brass over brown wood exterior frame; Frame 37 3/16” x 37 1/8; $POR |
12020 |
| LICHTENSTEIN, Roy (1923-1997) | ||
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Artist-Designed Porcelain Service Plate, 1990; 12” diameter porcelain service plate produced by Rosenthal, Germany and contained in the original box; Signed Roy Lichtenstein in the plate, right of center and numbered 2223 in black ink, center, verso and inscribed /3000 >>Künstlerteller<< Roy Lichtenstein printed in black, center, verso and stamp signed Roy Lichtenstein in black, center, verso and inscribed RosenXthal studio-linie GERMANY limitierte kunstreihen printed in black, center, verso; Image 12 1/4” x 12 1/4”; $2,500; Layaway for only $250/month! | 10650 |
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Tea Set: Covered Sugar Bowl, 1984; Rosenthal China; Executed in 1984 this covered porcelain sugar bowl produced by Rosenthal China Company, Germany is from the limited edition Tea Set numbered 40/100; Stamp signed Roy Lichtenstein in the plate, on the bottom and stamped and numbered Roy Lichtenstein 100/40 on the bottom; Dimensions approximately 5" x 6 1/2" x 4 1/4"; $7,000; Layaway for only $700/month! | 432 |
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Artist-Designed Porcelain Service Plate, 1990; 12” diameter porcelain service plate produced by Rosenthal, Germany and contained in the original box; Stamp signed Roy Lichtenstein in black, center, verso and inscribed Rosenthal GERMANY • Künstlerplatzteller •ROY LICHTENSTEIN LIMITIERTE AUFLAGE 3000/ printed in black, center, verso and numbered 1332 in black ink, lower right, verso; Dimensions approximately 12 1/4" x 12 1/4"; $2,500; Layaway for only $250/month! | 10577 |
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Untitled, 1966; Jackson China: One Six Piece Place Setting (Currently the Gallery has 10 six piece place settings available); Stamped Jackson China for Durable Dish Co. by rf Lichtenstein © 1966 in black on the bottom of each piece; Set includes Cup, Saucer, Bowl, Dinner Plate, Salad Plate, Dessert Plate; $25,000; Layaway for only $2,500/month! | 10076 |
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The two works below (10659/10660) are priced as a pair for $750,000; Layaway for only $75,000/month!
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Sunrise (Study For Enamel On Glass), 1965, Pencil and black ink drawings on paper with black paint additions; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 11 1/2” x 23 1/8”; Sheet size 21 1/16” x 30 5/8”; Frame size 33 5/16” x 42 13/16”; Authentication : Letter and Envelope Together with: |
10659 |
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Sunrise (Study For Enamel On Glass), 1965, Pencil and black ink drawings on paper with black and yellow paint additions; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 2 1/8” x 3 5/8”; Sheet size 24 5/8” x 30 3/8”; Frame size 33 5/16” x 42 13/16”; $750,000; Layaway for only $75,000/month! |
10660 |
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Still Life With Crystal Bowl, 1976; Serigraph and lithograph on BFK Rives roll paper; Signed, dated and numbered 13/45 rf Lichtenstein ’76 in pencil, lower right; Framed using an acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 32” x 43 3/8”; Sheet size 38” x 49 3/8”; Frame size 47 9/16” x 59 1/2”; $62,500; Layaway for only $6,250/month! | 10046 |
| MAGRITTE, René (1898 - 1967) | ||
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L’Évidence Éternelle (The Eternally Obvious), Five giclées ( Face --- Breasts --- Navel --- Knees --- Feet ) on canvas after the 1930 painting; Signed Magritte in the plate, lower right; From the edition numbered 748/950; Framed using a gold wood interior frame around each giclée, a linen mat float and a gold and black wood exterior frame; Frame size 82 1/8” x 25 3/4”; $3,000; Layaway for only $300/month! |
10193 | |
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L’Oreille Cloche (La Leçon de Musique) (The Music Lesson), Etching and aquatint on BFK Rives paper after the gouache, 1968; Signed Magritte in heliogravure, lower right and numbered 39/150 in pencil, lower left; Embossed Graveur Originale Atelier René Magritte lower right; Framed using a silk mat liner, an inset gold wood interior fillet frame, a silk mat liner, a hand-carved gold wood exterior frame and conservation clear UV protective glass; Image size 5 7/8” x 3 15/16”; Sheet size 10 7/8” x 8 11/16”; Frame size 19 13/16” x 23 1/16”; $15,000; Layaway for only $1,500/month! |
11160 |
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L’Oeil (The Eye), Etching and aquatint on Japon nacré paper after the gouache, 1969; Signed Magritte in heliogravure, lower right and numbered 80/150 in pencil, lower left; Embossed Graveur Originale Atelier René Magritte lower right; Framed using a linen mat, a silk mat liner, an inset gold wood interior fillet frame, a silk mat liner, a hand-carved gold wood exterior frame and conservation clear UV protective glass; Image size 6 15/16” x 5 3/4”; Sheet 11” x 8 5/8”; Frame size 20” x 23 3/8”; $12,000; Layaway for only $1,200/month! |
11161 |
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Le Viol (The Rape), 1934, Etching on Velin de Rives 250g paper; Signed Magritte in the plate, lower right and numbered 748/950 in pencil, lower left; Framed using an 8-ply acid-free mat, a black metal exterior frame and conservation clear UV protective glass; Image size 6 1/8” x 5 3/8”; Sheet 11 1/8” x 8 3/16”; Frame size 15 1/4” x 13 3/4”; $1,250; Layaway for only $125/month! | 10191 |
| MASSON, André (1896-1987) | ||
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We maintain a separate page for works by André Masson.
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| MATISSE, Henri (1869-1954) | ||
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We maintain a separate page for works by Henri Matisse.
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| MCDADE, Marcia McMann | ||
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Along The Grand Canal, Serigraph on paper, 1988; Signed and dated Marcia McDade ©88 in pencil, lower right and numbered XLVI/C in pencil, lower center and titled Along the Grand Canal in pencil, lower left; Unframed; Image size 25” x 18 1/16”; Sheet size 22 1/16” x 30”; $125; Layaway for only $12.50/month! |
11716 |
| MCKNIGHT, Thomas (b. 1941) | ||
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Yellow Cradle, 1984; Serigraph on paper; Signed McKnight in pencil, lower right and numbered 10/175 in pencil, lower left; Framed using two acid-free mats, each with a black bevel, a black wood exterior frame and conservation clear UV protective glass; Image size 25 1/2” x 27 7/8”; Sheet size 32 1/16” x 34”; Frame size 37 7/16” x 39 11/16”; $925; Layaway for only $92.50/month! | 9972 |
| MILLER, Leon Gordon (1915 - 1985) | ||
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The Fifth Day, Woodcut on paper; Signed Leon Gordon Miller in pencil, lower right and numbered a/p in pencil, lower center and titled The Fifth Day in pencil, lower left; Unframed; Image size 14 3/8” x 21 1/8”; Sheet size 18 1/2” x 25 3/16”; $225; Layaway for only $22.50/month! |
10345 |
| MINTER, Marilyn (b. 1948) | ||
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Shit Kicker, 2006; Cibachrome print on paper; Signed M. Minter in black ink, lower left of center, verso and dated 2006 in black ink, lower center, verso and numbered 97/100 in black ink, lower right, verso; Framed using an acid-free mat, a natural wood exterior frame and plexiglass; Image 8 3/4” x 13”; Sheet 10 15/16” x 13 15/16”; Frame 17 1/16” x 21 3/16”; $POR; Layaway Available! | 9586 |
| MIRÓ, Joan (1893-1983) | ||
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We maintain a separate page for works by Joan Miró.
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| MOTHERWELL, Robert (1915 - 1991) | ||
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Untitled, Lithograph on brown Japanese paper; 1965-1966; Signed and numbered R Motherwell 9/25 in pencil, center left; Framed using an acid-free mat float, an acid-free mat, a black wood exterior frame and plexiglass; Image 18 3/4" x 14 3/4"; Sheet 25 1/4" x 20 1/2"; Frame 35 5/16" x 30"; $7,000; Layaway for only $700/month! | 11303 |
| NESBITT, Lowell (1933 - 1993) |
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"The subject matter of my paintings has become so completely buried that it doesnít matter what I paint, whether it is my shoes, my dog, the work clothes, my easels, or the bridges of New York. It is the painting first and subject matter latter. In fact, I paint sometimes so much of one kind of imagery that I drown within imagery, which then ceases to become less important than what I can do with it." - Lowell Nesbit - Despite such thematic variety, Nesbitt was best known for gargantuan images of irises, roses, lilies and other flowers that he often depicted close-up so that petals filled the canvas. Dramatic, implicitly sexual and a little ominous, he remarked ìIíve been trying to treat the flower monumentally, to get beyond its prettiness. His work is included in the collections of more than 100 museums, government institutions, and corporations, including those of the Museum of Modern Art in New York; the High Museum of Art in Atlanta, Georgia; the Hirshhorn Museum and Sculpture Garden in Washington, D.C. the Yale University Art Gallery; the Worcester Museum in Massachuset! ts; the Renwick Gallery and the National Collection of Fine Arts of the Smithsonian Institution; the Art Institute of Chicago, the Fogg Art Museum, the Dallas Museum of Fine Arts, the Cleveland Museum of Art the National Gallery of Art in Wellington, New Zealand; the Israel Museum in Jerusalem; and the Plateau Beaubourg of the Pompidou Center and Biblioteque Nationale, Paris, France in Paris, Amerada Hess Corporation, AT&T, Atlantic Richfield the Bank of New York, Celenese Corporation, Chase Manhattan Bank, Citicorp, and Prudential Insurance Company. In 1980, the United States Postal Service issued four stamps based on Mr. Nesbitt's floral paintings. He also served as the official artist for the space flights of Apollo 9 and Apollo 13. |
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Dahlia (US Postal Service Stamp Art), 1980; Serigraph on Arches paper; Signed and dated L. Nesbitt 1981 in pencil, lower right and numbered 224/250 in pencil, lower left; Unframed; Image size 20” x 18”; Sheet size 24 5/8” x 21 7/8”; $750; Layaway for only $75/month! |
10851 |
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Rose (US Postal Service Stamp Art), 1980; Serigraph on Arches paper; Signed and dated L. Nesbitt 1981 in pencil, lower right and numbered 225/250 in pencil, lower left; Unframed; Image size 20” x 18”; Sheet size 24 5/8” x 21 3/4”; $750; Layaway for only $75/month! |
10854 |
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Untitled (Water Lilies), 1981; Serigraph on paper; Signed and dated L. Nesbitt 1981 in pencil, lower right and numbered 169/200 in pencil, lower left; Unframed; Image size 14 7/8” x 34”; Sheet size 23 5/16” x 41 1/2”; $750; Layaway for only $75/month! |
10820 |
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Untitled (Cherry Blossoms), 1980; Serigraph on paper; Signed and dated L. Nesbitt 1980 in pencil, lower right and numbered 165/200 in pencil, lower left; Unframed; Image size 24 1/2” x 39 3/4”; Sheet size 33 5/8” x 47 7/8”; $750; Layaway for only $75/month! |
10831 |
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Untitled (Iris), 1980; Serigraph on paper; Signed L. Nesbitt 1980 in pencil, lower right and numbered AP 37/40 in pencil, lower left; Unframed; Image size 29 7/8” x 19 15/16”; Sheet size 36 3/8” x 26”; $750; Layaway for only $75/month! |
10848 |
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Iris (Iris Light Box), 1980; Stained glass panel; Signed, numbered and dated 5/100 © 1980 L. Nesbitt in black ink, lower right; Dimensions 34 1/2” x 34 7/16” x 6 5/8”; Framed using a walnut wood exterior shadowbox frame containing two 24” florescent tubes and a white plexiglass panel; Frame size 34 1/2" x 34 7/16"; $9,500; Layaway for only $950/month! | 10050 |
| NEVELSON, Louise (1899 - 1988) | ||
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Untitled, 1976; Lithograph with gold foil on paper; Signed and dated Nevelson - 76 incised, lower right and numbered 31/100 incised, lower left; Framed using a foamcore float and a plexiglass box; Image size 34 7/8” x 24 7/8”; Sheet size 34 7/8” x 24 7/8”; Frame size 35 1/4" x 25 5/16"; $1,750; Layaway for only $175/month! | 10799 |
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I Do Like To Be Beside The Seaside; 1966; Serigraph on paper; Signed and dated Louise Nevelson 1966 in pencil, lower right and numbered 57/125 in pencil, lower left; Framed using an acid-free mat float, an acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 20" x 9 5/16"; Sheet size 23" x 17 1/2"; Frame size 33” x 27”; $1,200; Layaway for only $120/month! | 9619 |
| OLDENBURG, Claes (b. 1929) | ||
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Pizza/Palette, 1996; Lithograph on cream, thick, slightly textured Somerset Velvet paper; Signed Oldenburg in pencil, lower right and numbered 14/100 in pencil, lower left; Framed using an acid-free mat float, a black wood exterior frame and plexiglass; Image size 23 1/4” x 33 3/16”; Sheet size 29 5/8” x 38”; Frame size 35 7/8” x 44 1/2”; $6,250; Layaway for only $625/month! |
10664 |
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Untitled (Five Views Of The Tube), 1969, Black marker on paper; Signed and dated CO69 in pencil, lower right and dated 7/69. in blue ball-point ink, upper right; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 9 1/16” x 8 1/16”; Sheet 11” x 8 1/2”; Frame size 19 3/8” x 16 3/4”; $28,000; Layaway for only $2,800/month! |
11301 |
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Sausage-End And Sandwich, Samos, Paris, 1964, 1972, Lithograph in four colors on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Text is printed on a transparent acetate sheet that overlays the image; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 3 11/16” x 3 9/16”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,600; Layaway for only $160/month! |
10668 |
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Cream Cheese Being Spread, Los Angeles, 1963, 1972, Lithograph in three colors on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Text is printed on a transparent acetate sheet that overlays the image; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 4 3/4” x 4”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,900; Layaway for only $190/month! |
10669 |
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Stuffed Chair, Inscribed “Desolate,” Los Angeles, 1963, 1972, Lithograph in three colors on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Text is printed on a transparent acetate sheet that overlays the image; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 3 1/2” x 2 1/4”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,600; Layaway for only $160/month! |
10670 |
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Modernistic Chairs And Mattress, With Prices, Paris, 1964, 1972, Lithograph in three colors on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Text is printed on a transparent acetate sheet that overlays the image; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 4 15/16” x 3 11/16”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,900; Layaway for only $190/month! |
10671 |
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Garden Furniture, Los Angeles, 1965, 1972, Lithograph in four colors on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Text is printed on a transparent acetate sheet that overlays the image; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 3 1/8” x 2 5/16”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,350; Layaway for only $135/month! |
10675 |
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Stains Of Nail Polish, “Jamaica Bay,” New York, 1965, 1972, Lithograph in two colors on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Text is printed on a transparent acetate sheet that overlays the image; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 4 7/16” x 4”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,600; Layaway for only $160/month! |
10676 |
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Drill Bit In Pieces Of The Statue Of Eros, London, 1966, 1972, Lithograph in four colors on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Text is printed on a transparent acetate sheet that overlays the image; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 3 3/4” x 2 13/16”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,900; Layaway for only $190/month! |
10683 |
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Installation Study, Janis Gallery, New York, 1967, 1972, Lithograph in four colors on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Text is printed on a transparent acetate sheet that overlays the image; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 5 5/16” x 4”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,600; Layaway for only $160/month! |
10690 |
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Fabrication Study For The Giant Soft Fan, New York, 1967, 1972, Lithograph in four colors on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Text is printed on a transparent acetate sheet that overlays the image; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 5 1/8” x 3 5/8”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,900; Layaway for only $190/month! |
10691 |
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Errands Etc., “254E...Cairol,” New York, 1968, 1972, Lithograph in four colors on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Text is printed on a transparent acetate sheet that overlays the image; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 5 1/8” x 3 9/16”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,600; Layaway for only $160/month! |
10697 |
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Sketches For Sculpture: Crosses, King, Etc., With Stains, New York, 1968, 1972, Lithograph in four colors on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Text is printed on a transparent acetate sheet that overlays the image; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 5 1/4” x 3 15/16”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,600; Layaway for only $160/month! |
10700 |
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Child’s Hot Water Bottle, London, 1966, 1972, Lithograph in three colors on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Text is printed on a transparent acetate sheet that overlays the image; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 5 1/4” x 3 11/16”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,900; Layaway for only $190/month! |
10701 |
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Skyscrapers In The Form Of A Hypodermic Needle, Los Angeles, 1968, 1972, Lithograph in three colors on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Text is printed on a transparent acetate sheet that overlays the image; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 5 3/16” x 3 11/16”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,900; Layaway for only $190/month! |
10702 |
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Stocking On Knee, With Thumbs, And Men’s Shirt - As Fountains, New York, 1969, 1972, Lithograph in three colors on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 5 3/16” x 3 11/16”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,350; Layaway for only $135/month! |
10704 |
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Candle-Faces, Candle-Tie, Dog And Dog In Ice Cream Cone, New York, 1969, 1972, Lithograph in one color on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Text is printed on a transparent acetate sheet that overlays the image; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 5 1/8” x 3 5/16”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,600; Layaway for only $160/month! |
10706 |
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Fag-End And Slices Of Bread, Los Angeles, 1969, 1972, Lithograph in four colors on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 4 15/16” x 3 5/16”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,900; Layaway for only $190/month! |
10707 |
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CO, 1972, Lithograph on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Signed CO in the plate, center; From the edition numbered 26/100; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 4 1/8” x 5 13/16”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $900; Layaway for only $90/month! |
10711 |
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Claes Oldenburg, 1972, Lithograph on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; From the edition numbered 26/100; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 5 13/16” x 4 1/8”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $900; Layaway for only $90/month! |
10712 |
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Claes Oldenburg, 1972, Lithograph on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; From the edition numbered 26/100; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 5 13/16” x 4 1/8”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $900; Layaway for only $90/month! |
10713 |
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Claes Oldenburg, Charcoal pencil drawing on ruled paper torn from a spiral bound notebook; Signed Oldenburg. in charcoal, center and rubber stamped Claes Oldenburg 556 Broome Street New York, N. Y. 10013 in black ink, lower right; Framed using an acid-free mat float, a gold and black wood exterior frame and regular glass; Image size 4 13/16” x 6 3/8”; Sheet size 4 15/16” x 7 7/8”; Frame size 8 9/16” x 10 1/2”; $1,500; Layaway for only $150/month! |
10714 |
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Nude With Ironing Board, Los Angeles, 1964, 1972, Lithograph in four colors on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Text is printed on a transparent acetate sheet that overlays the image; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 2 11/16” x 3 1/2”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,900; Layaway for only $190/month! |
10685 |
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Stock Exchange Entrance in The Form Of A Girdle, New York, 1967, 1972, Lithograph in three colors on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Text is printed on a transparent acetate sheet that overlays the image; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 5 3/8” x 3 1516”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,350; Layaway for only $135/month! |
10695 |
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Studies For Outdoor Rope Sculpture, New York, 1968, 1972, Lithograph in four colors on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Text is printed on a transparent acetate sheet that overlays the image; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 4 15/16” x 3 5/8”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,350; Layaway for only $135/month! |
10699 |
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Dance Costumes: Fag-End And Fried Egg, Leningrad, 1970, 1972, Lithograph in four colors on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Text is printed on a transparent acetate sheet that overlays the image; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 4 11/16” x 2 1/2”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,600; Layaway for only $160/month! |
10710 |
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Hat, Drain And Biscuit, London, 1966, 1972, Lithograph in three colors on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Text is printed on a transparent acetate sheet that overlays the image; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 3 15/16” x 2 13/16”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,900; Layaway for only $190/month! |
10681 |
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Sketches During E. A. T. Class: Projector And Caricature Of Billy Klüver, New York, 1967, 1972, Lithograph in three colors on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Text is printed on a transparent acetate sheet that overlays the image; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 4 1/8” x 2 1/4”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,350; Layaway for only $135/month! |
10680 |
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Doodle: “As Time Goes By,” New York, 1966, 1972, Lithograph in four colors on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Text is printed on a transparent acetate sheet that overlays the image; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 3 3/8” x 2 1/16”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,350; Layaway for only $135/month! |
10679 |
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Poached Eggs On Toast, With Notations, Los Angeles, 1965, 1972, Lithograph in three colors on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Text is printed on a transparent acetate sheet that overlays the image; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 3 5/16” x 2 3/4”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,900; Layaway for only $190/month! |
10672 |
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Licorice Pipe And Tart, Helsinki, 1970, 1972, Lithograph in three colors on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Text is printed on a transparent acetate sheet that overlays the image; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 3 15/16” x 2 11/16”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,600; Layaway for only $160/month! |
10709 |
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Pork Chops Compared To Breasts In Brassiere, Paris, 1964, 1972, Lithograph in four colors on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Text is printed on a transparent acetate sheet that overlays the image; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 5” x 3 3/4”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,900; Layaway for only $190/month! |
10673 |
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Elephant Head Changing Into A Teapot, Etc., New York, 1966, 1972, Lithograph in four colors on white, medium, very smooth paper colléd to white, thick, smooth Dacapo Art Paper; Text is printed on a transparent acetate sheet that overlays the image; Signed CO. in pencil, lower right and numbered 26/100 in pencil, lower left; Framed using an 8-ply acid-free mat, a black wood exterior frame and conservation clear UV protective glass; Image size 4 13/16” x 3 1/2”; Sheet size 9 7/8” x 7 15/16”; Frame size 17 9/16” x 15 5/16”; $1,600; Layaway for only $160/month! |
10688 |
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Geometric Mouse Scale D (Paper), “Home-made”, 1971; Sculpture lithograph in three colors on five elements of white, medium (2), smooth paper laminated to die-cut gray, very thick, smooth cardboard and foamcore; stainless steel, wire, chains, and nickel plated fasteners; Signed and dated CO 71 in the plate, lower right verso and titled G M (D) in the plate, upper left verso and printed © Claes Oldenburg 1971 Produced by Gemini G.E.L. (II) in gray, lower right verso; Dimensions unassembled 19 9/16” x 16 9/16” x 1/4”; Dimensions assembled 19 9/16” x 16 9/16” x 13”; $875; Layaway for only $87.50/month! | 9100 |
| OTTERNESS, Tom (b. 1952) | ||
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Free Money And Other Fairy Tales Coloring Book, 2002; with ink drawing in blue ink on inside front cover; Titled Nice Job!! in blue ink, lower left and signed Tom O in blue ink, lower right of center; 54 pages; Size of book 11 3/4” x 9 1/4”; Size of drawing 10 7/16" x 15/16"; $495; Layaway for only $49.50/month! |
9856 |
| PAIK, Nam June (1932-2006) | ||
| Kim Chee and Sauerkraut, 1997; Acrylic on TV remote control; Signed Nam June Paik in black ink, on a label affixed to bottom upon which is printed Nam June Paik “Kim Chee and Sauerkraut”, 1997 TV-Fernbedienung, Acryl, ca” 15 x 6 x 2 cm Edition Texte zur Kunst Nr. 28 Auflage: 100 + 33 Künstlerexemplare AP 18 / 33 in black; Dimensions 6 5/8” x 2 7/16” x 3/4”; Box Dimensions 8 5/8” x 4 13/16” x 2 1/2”; $4,000; Layaway for only $400/month! | 8887 | |
| PEPPER, Beverly (b. 1922) | ||
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Plaza With Figure, Oil on canvas; Signed B. Pepper in oil, diagonally, lower right; Framed using a gold wood exterior fillet frame liner and a brown wood exterior frame; Image size 18 5/8” x 23 1/8”; Frame 24 11/16” x 20 3/16; $POR |
12019 |
| PETTIBONE, Richard (b. 1938) | ||
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Andy Warhol, Tomato Soup, 1962, Synthetic polymer acrylic and silkscreen ink on canvas; Titled, signed and dated “Andy Warhol, Tomato Soup, 1962” Richard Pettibone 1986 in pencil, vertically, center left verso on the overlap and dedicated and inscribed To Shirley & J.B. Andy’s favorite flavor in pencil, vertically, center right verso on the overlap; Unframed; Image size 4 3/4” x 2 3/4”; Sheet size 6 13/16” x 5 3/16”; $POR |
11998 |
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Frank Stella, Valparaiso Green (Sketch), 1963), Acrylic on canvas; Signed, dated and inscribed Set #6 Richard Pettibone 1966 in pencil, diagonally, center left verso on the overlap; Unframed; Image size 5 13/16” x 6 11/16”; Sheet size 5 13/16” x 6 11/16”; $POR |
11999 |
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Untitled (Appropriation Print), 1970; Lithograph on paper; Signed and dated Richard Pettibone 1970 in pencil, lower right; Framed using an acid-free mat, a gloss black metal exterior frame and conservation clear UV protective glass; Image size 11 3/16” x 15”; Sheet size 12 3/16” x 16”; Frame size 16 1/4” x 20 5/16”; $7,000; Layaway for only $700/month! | 10304 |
| PICASSO, Pablo (1881-1973) | ||
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We maintain a separate page for works by Pablo Picasso.
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| PISSARRO, Camille (1831 - 1903) | ||
| Jardins Formals, Lithograph on cream India appliqué; 1890; signed C. Pissarro in pencil lower left, and signed in pencil by the lithographer G.W. Thornley lower right; Image size 8 x 10 1/2; Framed using two acid-free linen mats, a silver, brown, and gold carved wood frame with a matching gold fillet, and plexiglas; Frame size 26" x 30 1/4"; $15,500; Layaway for only $1,550/month! | ||
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